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Posts Tagged ‘finish a painting’

I have been working on a series for a special exhibit that took place in November. I needed to paint 12 profile canvases sized 10 X 10.

Instead of painting different subjects, I decided to paint all of them of the same subject and with the same primary colors, in effect creating a series.

Echec en folie
©2017 Suzanne Bélair
Acrylic and Inks on canvas 10 X 10 in

This is the twelfth and final painting of my contemporary forests series. The previous painting of the series can be viewed here.

I had the best time painting this one and intend to do a large piece with it.

As soon as I looked at the background I saw the horse and it made me think about the game of chess which I used to play on Friday evenings at our country house, but I haven’t played in a long while and would probably loose real quick!

The strategic game is super interesting, I love the tactic and finding out how to make moves that your opponent does not suspect.

I thought I would use the large bottom area on the right side to build a chess board. I so enjoyed going back to basic perspective and build the board with ink and paint. To stay with my concept of contemporary forests, I put some trees in there of course. I thought the pawns were coming late from behind the trees and from the tornado-like spins to join the queen, king, rooks and bishops while seeing there is a knight missing!! Where is he going and what is he running from?

The pawns will follow the leader and defend the queen. I loved the concept! I used the yellow drips to create some background trees and considered doing something with the yellow drop at the top but then decided to leave it. The background trees became more interesting when I added some droplets of blue ink to give them dimension and link them to the trees that are in front, without taking the eyes off the main subject.

Here the trees are coming in and the chessboard is established:

©2017 Suzanne Bélair

What did I find out with this series? I found out that, no matter how I want to go more abstract, I still like details and realism. I like to recognize something, a feeling, an object, something that talks to me in a painting. So it is with my pieces, I like to understand the story, understand the painting, feel it. Each of them is so unique and personal.

I hope you enjoyed this painting journey and wish you creativity and fun painting!

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This is the eleventh of my contemporary forests series.

 

Soleil levant / Rising sun
©2017 Suzanne Bélair
Acrylic and Inks on canvas 10 X 10 in

 
The previous paintings of the series can be viewed here and here.
 

By the time I got to the last two paintings, I was really enjoying discovering where each painting could go. This is often a surprise to me to see a painting evolve as if on its own.

 

This one posed a particular challenge since I still wanted to work with the original background and I didn’t want to turn it around:

 
 

 

Here is how it evolved. Using the red at the top left, I decided to do a big contemporary cloud. At first placing it behind the trees on one side and in front of trees on the other side, and then, moving it forward and creating the water and the bushes in front.

 

I didn’t like the effect and went back to the “drawing board” so to speak. I thought the yellow mound looked like a mountain and thought I would go with that concept at first.

©2017 Suzanne Bélair

I wasn’t happy with any of it. This was not working, the bushes looked fake and out of place with the modern feel of the painting and there was too much blue. I put it aside for a while. In the end, I thought I would transform the mountain into a big sun and got rid of most of the red clouds. The bushes were darkened with some black to give it a more contemporary vibe and keep the feel of the previous paintings in the series. Soleil levant was born.

 

I hope you enjoy discovering how these paintings evolved and it inspires you to create your own painting series.

 

 

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Here are some thoughts on varnishing and finishing a painting.

When the time comes to finish a painting, my varnish of choice is Kamar Varnish by Krylon. It can be used on oil or acrylic paintings, is non-yellowing and really brings out the colors as well as adjust the shine if you have used mediums for your painting. It also has another big advantage. It can be reworked over without any problem; the new paint will stick to it. When I purchase the varnish, I always put the date on the can (2016-07 in this case) and if I buy several can, I number them (1,2,3 etc).This ensures I use the older product first and finish a can before I start another.

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I always apply a minimum of 3 coats, sometimes 4. Since it is a spray varnish, it is important to shake very well and to wear a mask when applying, especially if you are applying the varnish inside. Don’t take a chance, it is very toxic. I usually apply the varnish inside to be able to control such factors as wind and dust. Make sure you protect surrounding areas and take the paintings outside to dry.

Coats are criss-crossed: First coat, horizontal, second, vertical, third diagonal. If I add a fourth coat, it will be diagonal contrary to third coat. This insures an even finish.

About self-levelling gel:

On a small painting, I tested some self-levelling clear gel by Golden (name changed recently to Clear levelling gel). This gel can be used on top of or mixed with acrylic paints, never use this with oil paints.

It says in the name that it is self-levelling and promises to dry to a clear flat finish but this does not work as you can see. It can also be used to increase transparency and sheen of acrylic paints and claims to impart levelling quality to acrylic paints it is mixed with.

I used this painting as an experiment since I needed to rework it. I applied the gel with a soft clean brush and waited for it to dry.

When it did, the surface was streaked with brush strokes and so were the sides. A real mess!

So in the future, I’ll use this for multimedia techniques, collage or mix with paint, because you can’t expect a good finish from it or use it as a coat before a final varnish if you want a smooth finish.

So this was an experiment and it kind of ruined this painting. Needless to say, I will not be using this product for any step involving finishing or preparing to finish any painting again.

 

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