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Posts Tagged ‘contemporary forest’

I have been working on a series for a special exhibit that took place in November. I needed to paint 12 profile canvases sized 10 X 10.

Instead of painting different subjects, I decided to paint all of them of the same subject and with the same primary colors, in effect creating a series.

Echec en folie
©2017 Suzanne Bélair
Acrylic and Inks on canvas 10 X 10 in

This is the twelfth and final painting of my contemporary forests series. The previous painting of the series can be viewed here.

I had the best time painting this one and intend to do a large piece with it.

As soon as I looked at the background I saw the horse and it made me think about the game of chess which I used to play on Friday evenings at our country house, but I haven’t played in a long while and would probably loose real quick!

The strategic game is super interesting, I love the tactic and finding out how to make moves that your opponent does not suspect.

I thought I would use the large bottom area on the right side to build a chess board. I so enjoyed going back to basic perspective and build the board with ink and paint. To stay with my concept of contemporary forests, I put some trees in there of course. I thought the pawns were coming late from behind the trees and from the tornado-like spins to join the queen, king, rooks and bishops while seeing there is a knight missing!! Where is he going and what is he running from?

The pawns will follow the leader and defend the queen. I loved the concept! I used the yellow drips to create some background trees and considered doing something with the yellow drop at the top but then decided to leave it. The background trees became more interesting when I added some droplets of blue ink to give them dimension and link them to the trees that are in front, without taking the eyes off the main subject.

Here the trees are coming in and the chessboard is established:

©2017 Suzanne Bélair

What did I find out with this series? I found out that, no matter how I want to go more abstract, I still like details and realism. I like to recognize something, a feeling, an object, something that talks to me in a painting. So it is with my pieces, I like to understand the story, understand the painting, feel it. Each of them is so unique and personal.

I hope you enjoyed this painting journey and wish you creativity and fun painting!

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This is the eleventh of my contemporary forests series.

 

Soleil levant / Rising sun
©2017 Suzanne Bélair
Acrylic and Inks on canvas 10 X 10 in

 
The previous paintings of the series can be viewed here and here.
 

By the time I got to the last two paintings, I was really enjoying discovering where each painting could go. This is often a surprise to me to see a painting evolve as if on its own.

 

This one posed a particular challenge since I still wanted to work with the original background and I didn’t want to turn it around:

 
 

 

Here is how it evolved. Using the red at the top left, I decided to do a big contemporary cloud. At first placing it behind the trees on one side and in front of trees on the other side, and then, moving it forward and creating the water and the bushes in front.

 

I didn’t like the effect and went back to the “drawing board” so to speak. I thought the yellow mound looked like a mountain and thought I would go with that concept at first.

©2017 Suzanne Bélair

I wasn’t happy with any of it. This was not working, the bushes looked fake and out of place with the modern feel of the painting and there was too much blue. I put it aside for a while. In the end, I thought I would transform the mountain into a big sun and got rid of most of the red clouds. The bushes were darkened with some black to give it a more contemporary vibe and keep the feel of the previous paintings in the series. Soleil levant was born.

 

I hope you enjoy discovering how these paintings evolved and it inspires you to create your own painting series.

 

 

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la pruche

La pruche
©2017 Suzanne Bélair
Acrylique et encres sur toile 10 X 10 po

Well, the three charity shows of November are over. These causes are very important to me.

I am very happy with the results, two paintings sold by the Shield of Athena and seven sold during the exhibition Color Against Pain by Artistes de Coeur.

Although all my works are dear to me and each has special meaning, one of the paintings sold during the week-end is particularly unique for several reasons.

 

First, I had a lot of trouble with it and it has evolved most amazingly, and ended up serving two causes at once. Let me explain.

©2017 Suzanne Bélair

I like to create difficulties for myself sometimes …

 

I produced my first background with a lot of texture and I absolutely wanted to keep this texture. I wanted the indentations to still be visible in the final artwork.

 

I started by painting some trees, then realized that I had put one in the middle of the canvas. Although the square format is better than rectangular format for placing objects in the middle, it’s still not ideal!

 

During a past painting workshop, I learned that people who suffer from astigmatism as I do, tend to put objects in the middle of their works. It was even suggested during this workshop to put an X in the middle of the canvas and at the mid-point of each side, to make you aware of this tendency. So I ended up cutting the tree to bring it to the side and added a new focal point: the hemlock.

 

I then worked the texture and softened the colors until I had a harmonious but still textured result. Although this painting has given me a hard time, it has become one of my favorites.

 

It was sold during the weekend event, so a portion went to the Federation of Women’s Shelters and the buyer is donating it for an auction where the funds are going 100% to the West-Island Women’s Shelter.

 

It proves that committed art can really help. I am very proud of it.

 

Fédération des maisons d’hébergement pour femmes

West Island Women’s Shelter

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This is the eight and nine paintings of a series of small contemporary forests I am working on.

 

Septembre magique / Magical September
©2017 Suzanne Bélair
Acrylic and Inks on canvas 10 X 10 in

 

Le jour se lève / Morning comes
©2017 Suzanne Bélair
Acrylic and Inks on canvas 10 X 10 in

 

The previous painting of the series can be viewed here.

 

 

 

The development of “Septembre magique” was quite straight forward as can be seen here, I simply let the background work inspire me and kept the basic design from the beginning.  I loved the splatter and lines and how the paint spread over the canvas.

 

 

 

 

 

« Le jour se lève » presented quite a challenge because I started from a completely different place than the finished product.

 

 

 

 

First off, I didn’t like the background I started with. The color on the top left corner was terrible and had to disappear before I could start again. My aim was also to keep some of the scratches showing in the red paint.

 

 

 

 

 

 

 

So with white gesso I went to make the offending colors fade into the background. My first idea was to have a lone tree reflecting in water on a lighter backdrop but after a while I found it looked like a large lollipop more than a tree and I played with the idea of going surrealist and refining this idea.

 

 

 

 

 

 

 

 

Here I brought back the bright yellow and continued on the rocks. I kept on thinking about something I read before pertaining to the dreadful stage of a painting and not to get discouraged. You know, when you think you should just give up and abandon the painting?

 

 

 

 

Well, I told myself to push through and that this stage only means the painting is not finished. I stepped back and put it aside for a few days. When I returned with fresh eyes, I had to admit that this tree scheme was not coming together. Why not make a nice big sun reflecting on the water? I liked that idea and went with it and “Le jour se lève” was born and I am quite happy with it!

 

At this point, I’ll go through the last three paintings to try and find solutions for each of them as they are all presenting challenges.

 

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This is the seventh of a series of small contemporary forests I am working on.

Sérénade de chaleur / Warmth serenade
©2017 Suzanne Bélair
Acrylic and Inks on canvas 10 X 10 in

The previous painting of the series can be viewed <a href=”http://wp.me/p9FGQ-ke“>here.

Frankly, I am getting tired of working on these small 10 X 10 paintings. It is no longer that much fun to work them. I started the last six of the series with backgrounds I did not plan at all and now I have to toil with these and they are not easy to work with, stretching the working time and making these a lot longer to finish than they should be.

Here are the beginnings of the next six paintings including the one presented here:

I really enjoy working large formats from a “surprise” background but these are aggravating me right now. Where in a large format, textures and drips develop slowly and are fun to work with, the immediacy of the small canvas is making the hues and textures harder to control when you take the same approach.

Where the other six came together fairly easily, I find myself struggling  more and more with these and must increasingly go back to the basics of composition to be able to continue them or sometimes, send them in a totally different direction if need be.

I have been using Adobe Sketch on my ipad to sort out some of the problems but since I am no expert at it yet, my sketches present raw colors and shapes and only provide a very loose direction.

In the case of this week’s painting, can you guess which background evolved into it? Here it is:

©Suzanne Bélair

Tackling one subject only and walking that fine line between realism and abstraction is no easy feat. I find myself wanting to move more and more towards realism, closer to what I used to do. My choice of working in only three colors doesn’t make things any easier but it was my decision for this series.

If you have tackled a series, how did you find it improved your art practice?

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In between working on the 10 X 10 series, I also completed another two square paintings, these being 12 X 12 for one special exhibit: “Square” which will take place on November 11th, details below. The last two were painted on wood which presented another challenge. Even after two coats of gesso, I found the paint was still soaking right in and I had to rework the colors in order to soften them some.

Here they are along with the invitation:

Feuillage en lumière
©2017 Suzanne Bélair
Acrylic and Inks on wood panel 12 X 12 in

Tranquilité
©2017 Suzanne Bélair
Acrylic and Inks on wood panel 12 X 12 in

I will be presenting these two paintings as well as three others completed during the summer.

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This is the sixth of a series of small contemporary forests I am working on.

Vers le haut / Moving upwards
©2017 Suzanne Bélair
Acrylic and Inks on canvas 10 X 10 in

The previous painting of the series can be viewed here.

As I am tackling numbers 7 to 12, I am hoping to look at the subject with new eyes and find new ways to design my contemporary forests. Some things I could explore are putting more emphasis on shapes or changing the color relationships. I find myself thinking about values and intensity of hues and playing with this.

I also want to explore how I could apply the Notan principle in the next paintings. I could also play with the value contrasts. The key is often to just forget the subject and play with the shapes.

I’ve also thought about adding patterns in the background or adding calligraphy. The possibilities are endless when you think of it, all you need is to jump in and commit.

Perseverance is the answer. Working on a series is a great exercise for any artist wanting to move to a more personal level in his or her painting. I realize, even as I am resisting the exercise at this point, that it is neither a waste of time nor useless to continue down that path.

Working on a series often becomes a requirement in order to progress in our art, the whole purpose being to tap into our feelings and imagination. It goes without saying that since working on a series is all about discovering our own creativity, we should do so without any outside influence, either from another artist or from a teacher.

Let me know if you have tackled a series and if so, how you found it improved your art practice.

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