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Posts Tagged ‘Canvas’

A little over ten years ago, in December 2007, I started this blog. My original intention is reflected in my tag line: This is a blog about art, the environment and the angst of life and creation. This has not changed since and I still hold the views I was presenting in 2007.

 

I am leaving on vacation for a few weeks and thought that instead of posting while away I will revisit some of my earlier posts.

 

I used to write a lot about the environment, climate change and air pollution. I also wrote a lot about painting, feelings and life.

Magnifique
©2009Suzanne Bélair
Oil on canvas 10 X 8 in

 

So here is the first post I would like to share with you. It was first published on June 5th 2008.

 

Reflection on painting

June 5, 2008 by Enviroart

 

Today, I am reflecting on the art, on the work of painting, on the world of painting. It is often difficult to get going and start a new painting. The famous blank canvas… Some say that if you put a coat of background color or rather an undercoat, you erase the stigma of the blank canvas. But this is not true. If it can be useful to judge the tone or unify the painting, it remains a blank canvas. The blank canvas might be yellow or brown or blue or white, it still represents a challenge. Will that first touch of paint, that very first brushstroke be right? Will the color show how my mind’s eye expects or sees it or will it be totally wrong and send me in a tailspin of wondering, of corrections and self-doubt, of inquiring and research?

 

True, there is technique and we can learn to mix colors. It is an art in itself to be able to do this properly and rapidly, but the best way to learn and reduce this anxiety of the first stroke is really to practice, practice, practice. Some days are better than others but all days spent painting, each minute, are a step on the path the painter wants to follow, meaning forward, learning, progressing.

 

Just like writers are told to write everyday no matter what comes out to exercise the writing muscle, painters, sculptors, artists must practice their craft everyday even if we can give it only half an hour. When you love painting, this anxiety is mixed with expectations and questions. Expectations, because you want this new painting to be better than the last one, to be truer, to expose you a little bit more. Are we just asking for people to understand us a little better? Difficult to say…  Questions, because you just don’t know how your painting will be received.

 

Unless you are a really experienced artist, that knows what his public wants, it is hard to judge how the painting will be received. This depends on so many different ideas and criteria, that vary according to the individual staring at the painting. When you offer a painting to an audience, you are trying to touch the onlooker. To go deep into his or her soul and somehow touch a part of them, light a switch, create a “Ah !”  moment before the analysis takes over. Before they wonder will this fit in my living room, in my dining room? Is this the right color?

 

I think we are looking for understanding, for people to peek into our heart and soul, to share something joyful we feel in our core, or sad in some cases. The only way to do this is to paint first and foremost for ourselves. I think this is the main difference between doing artwork and doing “decorative art” or “crafts”. Unless you create, you don’t normally see the difference. Actually a friend of mine said one day that decorative artists are only “good technicians” and I felt a bit insulted by this statement. But now I see the difference. It is true that decorative art is all about technique except for those that actually create patterns and designs. There is a bit of sharing when you pick the pattern you want to reproduce or paint. But is nowhere close to the opening of the soul that happens when you create from your core.

 

I am speaking for me but there is no emotion when I simply paint someone else’s design. There is the satisfaction of completing a project but none of the excitement, no skipping of the heartbeat, none of the quiet joy of just working at transferring your soul to the canvas.  In conclusion I would like to say that the main thing is to make ourselves happy with what we are painting. I don’t mean to be 100% satisfied with the finished product but to paint for ourselves, about things we like and appreciate. It is not about painting what is trendy now if we hate it (unless we are painting strictly to make money). There is so much talk about finding your style and being unique, but each of us is unique and it is by painting what you believe, what you are, what you like that your uniqueness comes out. We have to live with ourselves, we are the only constant in our life and painting first and foremost for this individual that inhabits our body is a good way to start. So paint what YOU like and do at least a little bit everyday.

 

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Enviroart par Suzanne Bélair
 

 

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This question was asked to me by my son yesterday and I had to wonder… Play? What is play for me?

Yes I like to play but maybe not in the sense that most people call play.

I like to play by learning new things, I love being in nature and observe the small animals interact with each other. I like to visit art exhibit and talk with friends. Maybe I should start competing in Candy Crush J

A few weeks ago, I talked about the exercise on non attachment I had started by painting freely on 3 square canvases. When I approached the exercise, it is true that I was fuelled more by the need to learn something again, than by playing. I approached this with a fearful attitude instead of thinking “this is only a canvas and I am here to play and have fun”. I was curious and leery about what would come out if I let go and experimented freely. These were meant to be completed in one day which turned out to be impossible.

As I continued working for a few more days with the paintings because they were not drying fast enough, I enjoyed it more and more and was surprised by what ended up on the canvas and what I expressed.

RevedeVac

Vacation Dream
©2013 Suzanne Bélair
Acrylic on Canvas 18 X 18

Here is the 1st one. Interestingly enough, it can be positioned as one chooses since there are many organic shapes that can be identified depending on the angle you choose to view the painting. Completely different from what I usually do.

That was fun and I plan on playing more with this.

www.suzannebelair.com

https://www.facebook.com/SuzanneBelairArtist

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Today, I am reflecting on the art, on the work of painting, on the world of painting. It is often difficult to get going and start a new painting. The famous blank canvas… Some say that if you put a coat of background color or rather an undercoat, you erase the stigma of the blank canvas. But this is not true. If it can be useful to judge the tone or unify the painting, it remains a blank canvas. The blank canvas might be yellow or brown or blue or white, it still represents a challenge. Will that first touch of paint, that very first brushstroke be right? Will the color show how my mind’s eye expects or sees it or will it be totally wrong and send me in a tailspin of wondering, of corrections and self-doubt, of inquiring and research?

 

True, there is technique and we can learn to mix colors. It is an art in itself to be able to do this properly and rapidly, but the best way to learn and reduce this anxiety of the first stroke is really to practice, practice, practice. Some days are better than others but all days spent painting, each minute, are a step on the path the painter wants to follow, meaning forward, learning, progressing.

 

Just like writers are told to write everyday no matter what comes out to exercise the writing muscle, painters, sculptors, artists must practice their craft everyday even if we can give it only half an hour. When you love painting, this anxiety is mixed with expectations and questions. Expectations, because you want this new painting to be better than the last one, to be truer, to expose you a little bit more. Are we just asking for people to understand us a little better? Difficult to say…  Questions, because you just don’t know how your painting will be received.

 

Unless you are a really experienced artist, that knows what his public wants, it is hard to judge how the painting will be received. This depends on so many different ideas and criteria, that vary according to the individual staring at the painting. When you offer a painting to an audience, you are trying to touch the onlooker. To go deep into his or her soul and somehow touch a part of them, light a switch, create a “Ah !”  moment before the analysis takes over. Before they wonder will this fit in my living room, in my dining room? Is this the right color?

 

I think we are looking for understanding, for people to peek into our heart and soul, to share something joyful we feel in our core, or sad in some cases. The only way to do this is to paint first and foremost for ourselves. I think this is the main difference between doing artwork and doing “decorative art” or “crafts”. Unless you create, you don’t normally see the difference. Actually a friend of mine said one day that decorative artists are only “good technicians” and I felt a bit insulted by this statement. But now I see the difference. It is true that decorative art is all about technique except for those that actually create patterns and designs. There is a bit of sharing when you pick the pattern you want to reproduce or paint. But is nowhere close to the opening of the soul that happens when you create from your core.

 

I am speaking for me but there is no emotion when I simply paint someone else’s design. There is the satisfaction of completing a project but none of the excitement, no skipping of the heartbeat, none of the quiet joy of just working at transferring your soul to the canvas.  In conclusion I would like to say that the main thing is to make ourselves happy with what we are painting. I don’t mean to be 100% satisfied with the finished product but to paint for ourselves, about things we like and appreciate. It is not about painting what is trendy now if we hate it (unless we are painting strictly to make money). There is so much talk about finding your style and being unique, but each of us is unique and it is by painting what you believe, what you are, what you like that your uniqueness comes out. We have to live with ourselves, we are the only constant in our life and painting first and foremost for this individual that inhabits our body is a good way to start. So paint what YOU like and do at least a little bit everyday.

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